Sat, 29 April 2006
Part 1 of 2
Jeffrey interviews Robert Nichol, filmmaker and producer of Star Dreams, a documentary exploring the crop circles phenomenon. As one of the world's foremost authorities, Robert shares his many fascinating insights about the Mayan Calendar and 2012, Earth's transformation, Extraterrestrial intelligence, UFO phenomenon, and his long history in producing films and documentaries in Canada. Star Dreams, his latest documentary, has been a runaway hit in community showings around the United States and Canada offering a rare view of these magnificent earth artworks that have captured the imagination of many who are interested in their sophisticated sacred geometry and advanced mathematics.
Thu, 27 April 2006
Jeffrey will be doing a two-part interview with Robert Nichol, the creator of Star Dreams - a feature documentary exploring the mystery of Crop Circles. You may NOT want to miss this series!
In preparation, we've put a bit of the intro to the DVD up for your preview.
To support this ongoing project, we highly recommend you go and purchase the DVD from the StarDreams-CropCircles.com web site. In fact, the music is so absolutely beautiful and helps put into perspective the value of this work.
And stay tuned for the Podcast interview with Robert Nichol on Saturday, April 29th, 2006.
Fri, 21 April 2006
We thank Sedena Cappannelli for helping us out today with this reading.
Progressive human culture in the late 20th century was experiencing a cresting obsession with breaking every sociological and political barrier that could be intellectually defined in the name of freedom, expression and unfettered exploration. Social structures in the western world were examined, re-examined and exploded with the desire to find the core of life, and the next fresh breeze of experimental truth. The long and short list of art movements in the 20th century brought forth everything imaginable - surrealism, radical politicism, pop art, op art, abstract realism, surrealism, modernism, postmodernism and many mini-isms too numerous to recant. It had been a glorious century for the art world because there were many corners to turn as consciousness moved away from the limitations of the 19th century and science came into it's own as the new god, and the new empirically derived information led consciousness into a magnificent freedom encompassing a larger, more rational examination of all facets of human, animal and physical life. In the performing arts, all manner of this new examination was explored and every artist dreamt new horizons into being that promised to free them from the conservative uninformed dogma of religious superstition.
In the 1960's, pop culture caught up in the frenzy of the "love" generation produced an unrelenting media and entertainment explosion in the music and film businesses that managed to break every established barrier in American and world culture. History has elevated that era of tremendous change into the mythic realm - the magical mystery tour of consciousness expansion and an unfettering of all boundaries.
So one should not have been surprised while traversing the 1970's and 80's to see the growth of the art and consciousness trends discovered and begun during this powerful period of change solidify into established forms. The new feminism, gay liberation, ethnic and racial liberation, and the economic and social justice of today came out of that powerful transitional period. These new social paradigms, which began in the imaginations of artists and creators from that time, formatted themselves first for social acceptance, then social approval, and ultimately into social normalization. Gay marriage, once unheard of, is now legal in Massachusetts, and women and minorities have been increasing their presence in business and government positions steadily for decades - situations that were completely unthinkable and impossible 40 years ago.
Accompanying this meteoritic pace of change has been a continual retrogressive and resistant reactivity that views these great changes as misguided, undesirable and frightening. This should be expected, as any kind of change generally leaves most feeling uncomfortable and unsure. But human evolution is interminable regardless of personal resistance and fears. It is just a universal fact that is undeniable, and can be made more enjoyable when it is explored and embraced. It is what humans do at their best - learn new things every day thereby expanding their horizons and hearts. In fact it is the only really credible "salvation" in existence.
Pop art was a very capable art - for it did not seek to invent as much as reflect what was happening in the zeitgeist of popular culture. And when that culture mandated homogenization of a new social ethos as a new core value, it was really a straightforward task to reflect that newly establishing homogenization of cultural idioms.
In 1988 when Omni Art emerged, the focus of consciousness was shifting to an investigation into the invisible realities beneath the surface of the physical universe. At first, dozens and then hundreds of films and books came out about everything from basic psychic phenomenon and parapsychology, to quantum physics and inter-dimensional travel. It was in this culturally inspired consciousness evolution that the Omni Art Movement of the 21st Century was born.
In 1988, when artist Jeffrey Milburn founded Omni Art in New York City, the cultural milieu was ripe for the emergence of something that was so far reaching that it even left the MTV generation challenged to look further and deeper. So when Milburn mounted the first Omni Art Museum Exhibition, few understood what was actually taking place, and viewed his art with the blank stare of a deer in the headlights one would have if an alien spacecraft had just landed in their backyard.
Interestingly enough, that was exactly what was happening to many thousands of ordinary people - as there was a great jump in reports of "close encounters" with alien beings that had left many bewildered, questioning and afraid.
And Omni Art had landed at one of the premiere art museums in New York, and like the abducted, the critics and writers were mute. Most had become so entrenched and vested in post-modernism that had defined the New York scene for so long; that they simply were not equipped to write about an art that explored through quantum physics a 5 dimensional cosmological model of the universe. Modern and post-modern art had become stuck in it's own limited vocabulary of 20th century political and Newtonian scientific knowledge.
Omni Art is an art movement of the 21st century not because it follows so easily behind the multiple styles of post-modernism, but because it is a radical departure from them. It is as if the "language of reality" had leapt from a 25-word vocabulary to a 25,000-word vocabulary, and there were no dictionaries to refer to for explanation unless one was willing to explore and study from multiple sources of quantum physicists and spiritual masters. So it's no wonder that Omni Art remains largely unrecognized by the gatekeepers of the postmodern status quo in art museums and galleries around the world. And this is to Omni Art's credit, because traditionally the status quo has never embraced new art at it's birth, that recognition has always been reserved for a socially and economically safe retrospective. Today it is no different.
Omni Art embraces the greater view of all things, and with a greater view one can either grow afraid, or become fascinated and desire to understand and master that greater view. Omni Art challenges you to become a master of that greater view. After all, what is art for if not to expand your horizons, inspire your heart, and lift you to become an ever-greater divine knower of life? And so today, in 2006, the invitation to do just that has grown to now include thousands of listeners to this podcast in over 23 countries around the world, each with their own unique understandings and interests. This is a democracy of global spirituality unencumbered by the gatekeepers of post-modernism and it is free, truthful and direct.
A new consciousness culture is establishing itself at an accelerating pace, and Omni Art it there; doing what it has done since it first began 25 years ago - opening the window for a breath of fresh air, light and sound to break the constraints of common illusions to welcome in the divine spark of life that everyone truly is. In this recognition each individual is empowered to be their own divine illuminator in their own personal realm of influence, and this is the true transformation of power, wisdom and freedom that all seek.
Thank you for tuning in to the Omni Art Salon, and thank you for passing it on, after all, it's all about you, and who and what you really are.
Fri, 14 April 2006
Jeffrey interviews Matthew Mitchell international consultant and trainer about his life experiences with consciousness, mediation, and how his spirituality intersects with his business life.
Sat, 8 April 2006
The first step any child should be taught when they enter this life is that they are pilots and creators . . .
. . . and that there will be many experiences that await them in their human life that will demonstrate that they are indeed divine co-creators of their lives. This will help to give them the confidence they need to really trust their inner knowingness and develop their abilities to become the architects of their lives.
I remember as a young person traveling outside of my body consciousness, marveling at the wonderful details in nature, contemplating the clouds for hours, and singing original songs that came from deep within me. It was so very simple, beautiful and natural that it never occurred to me to question my knowingness of my divine imagination and creativity. As time went on the adults around me worked at educating my consciousness into proscribed formats of what was considered "reality" that were quite mundane. And so, over time this constant socialization process edged out my natural connections to the extraordinary experiences I was naturally having, and life became more and more limited.
I grew up in Boulder Colorado, which is situated on the front range of the majestic Rocky Mountains, a place of incredible natural beauty. I still remember playing hooky from primary school on more than one occasion and hiking to my favorite streamside cove to commune with the sunshine, the rushing water and crisp clean air. I had a very real knowingness that this was good, and the right thing to do, regardless of the fact that I knew I supposed to be in school. My innocence informed me that what my adult teachers taught in school paled in comparison to my nature excursions, my "other worldly" trips outside my body, and my inner knowingness and the gentle love that filled me with a purity that I trusted without a second thought. It was bliss to be alive in those moments, and it was worth getting in trouble later on just to enjoy those few magical hours where I just disappeared from everyone and everything to be in divine relationship.
It seems that adults spend much of their lives attempting to attain the delight of a child's natural connection to divine relationship, and there is a good reason why. This child like divine relationship is the key to unlocking one's heart to feel the safety in remembering who we are. We are Soul at play in a magnificent universe in which we are given the ability to create our experiences in life by the consciousness that we hold. If we always seek the divine and highest in every moment of our life, then we can marvel like a child at the simple beauties that constantly surround us and tap into the ever-present creativity of divine spirit that is the starting point for all things.
Each moment of each day that we live is a continuous opportunity to love more, enjoy more and learn more about the divine truths that live in our hearts. To be in divine relationship is to know who we really are.
Check-out the Podsafe Music Network at http://music.podshow.com
Sat, 1 April 2006
Jeffrey interviews Melissa Weiner about her experiences on her spiritual journey producing television in New York with PBS, growing up in Texas, and her compelling work with authors as publicist and consultant.